standard oil 1870s capitalism corporations octopus octoprop
Sep 20th 2010
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“The Standard Oil Octopus”, Daily Graphic, Tues 4th Feb 1879, New York. Vol LXVIII, No.1.
Octopus constructed of pipes and barrels, and capitalist harpies in a wasteland. Very early (1879) octopus political cartoon. “$10,000,000 Profits in 4 Months.”
“Railroad monopolist & stock market manipulator William Vanderbilt is the top right vulture flying overhead. The other two vultures, are brothers William (left) and John ( lower right) Rockefeller, who owned the Standard Oil refinery. ” (SuperITCH)
Source: Super I.T.C.H. May 26 2010 (Accessed: 19th Sept 2010)

“The Standard Oil Octopus”, Daily Graphic, Tues 4th Feb 1879, New York. Vol LXVIII, No.1.

Octopus constructed of pipes and barrels, and capitalist harpies in a wasteland. Very early (1879) octopus political cartoon. “$10,000,000 Profits in 4 Months.”

“Railroad monopolist & stock market manipulator William Vanderbilt is the top right vulture flying overhead. The other two vultures, are brothers William (left) and John ( lower right) Rockefeller, who owned the Standard Oil refinery. ” (SuperITCH)

Source: Super I.T.C.H. May 26 2010 (Accessed: 19th Sept 2010)

victor hugo 1870s railroads railways monopoly capitalism antitrust
Feb 13th 2010
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The cephalopod - terrestrial devil fish - a monster of centralization (?) (1873)
This is the earliest cartoon (1873) in my collection of the octopus as a metaphor for an industry. The presence of the cave, and the timing1 would suggest an Victor Hugo influence. It also precedes the ‘burst’ of octopus cartoons in the1880s and is slightly earlier the “Serio-Comic War Map” of Europe (1877).
I think the caption reads: “The cephalopod, -or terrestrial devil fish-, a monster of centralization”. It was published on the 4th March 1873 by the New York Daily Graphic.
Between its humanoid teeth the octopus holds a piece of paper: “Congressional Honor”. The human mouth appears below a normal octopus orifice. Most of its limbs are trains, except for the lowest one which is very serpentine. The motive (Victor Hugo) of the cave makes an appearance. As does USA (Lady Liberty?). An unusually creepy image.
Other little details is the train (at least I think it is a train) is approaching in the background, following the power lines. Also, the birds are flying an orderly and serpentine line.
Image source: “Railroad Cartoons: The Image and the Locomotive”,http://sophia.smith.edu/~maldrich/introduction.html (Accessed: 21st May 2009) – Some interesting late 19th C & early 20th C railroad cartoons.
Footnotes
Six years after publication of “Toilers of the Sea” in English in New York

The cephalopod - terrestrial devil fish - a monster of centralization (?) (1873)

This is the earliest cartoon (1873) in my collection of the octopus as a metaphor for an industry. The presence of the cave, and the timing1 would suggest an Victor Hugo influence. It also precedes the ‘burst’ of octopus cartoons in the1880s and is slightly earlier the “Serio-Comic War Map” of Europe (1877).

I think the caption reads: “The cephalopod, -or terrestrial devil fish-, a monster of centralization”. It was published on the 4th March 1873 by the New York Daily Graphic.

Between its humanoid teeth the octopus holds a piece of paper: “Congressional Honor”. The human mouth appears below a normal octopus orifice. Most of its limbs are trains, except for the lowest one which is very serpentine. The motive (Victor Hugo) of the cave makes an appearance. As does USA (Lady Liberty?). An unusually creepy image.

Other little details is the train (at least I think it is a train) is approaching in the background, following the power lines. Also, the birds are flying an orderly and serpentine line.

Image source: “Railroad Cartoons: The Image and the Locomotive”,http://sophia.smith.edu/~maldrich/introduction.html (Accessed: 21st May 2009) – Some interesting late 19th C & early 20th C railroad cartoons.

Footnotes

  1. Six years after publication of “Toilers of the Sea” in English in New York

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